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Techniques like these can save you in a pinch when incorporating stock footage into projects, or help you breathe new life into older cameras. In this example, Rob is upscaling footage from a Nikon D80. The grain will bury any blockiness and help match images from older cameras with newer, high-resolution shots. You can do this in the timeline by placing it on the layer above your clip, adding it with a matte in the color page, or using a 3rd party plug-in. In addition to using the Super Scale features in Resolve, another way to mask some of the artifacts created by upscaling footage is to add a filmic grain overlay. Your upscale sharpening will remain intact. Rob recommends using Temporal Noise Reduction, but you could also use a plug-in like Neat Video to clean things up. To reduce the presence of this noise, enter the color tab, and apply additional noise reduction to the final node. ![]() When you upscale footage, you’re also increasing the size of the noise that is inherent in the image along with it. The effect that you will see on your footage will be subtle, but a definite improvement to scaling the image up alone.
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